Tag Archives: Bret Easton Ellis

Self Flagellation

In the dark old days of Mao’s China, erring party disciples would, if they were exceptionally lucky, be made to write self-criticisms.  In these documents, the straying member of the flock would abase themselves, detail their crimes against the collective and swear to be a better and truer comrade in the future.  For all I know, this sort of thing still goes on.

In the short life of this blog, I find I have urinated copiously from the lofty internet heights on Robert Frost, Inga Clendinnen, Nick Hornby, Francis Collins, Emma Beare, Don DeLillo, Ron Rash, Madeleine St John, Andrew Porter, Bret Easton Ellis, Margaret Atwood, Norman McGreevy, Michael Leunig, Colleen McCullough, J D Salinger (the day after he died), Bryce Courtenay and Tim Winton.  Well over twenty per cent of my posts, in other words, have been more or less slavering attacks.

The tables must turn, however.  In the interests of fairness, I’m going to have a go at me.  Ladies and gentlemen, the scorpion is about to sting himself.  Let the Mao-style self-criticism begin.  I direct this not to Mao, but to George Orwell, whose Politics and the English Language is and shall always be my final guide to writing.  The idea of taking up a totalitarian epistolary notion and directing it at Orwell is grievously inappropriate, but I can’t resist. Continue reading

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Ultraboring Ultraviolence

Who would have thought that reading about a murdering rapist bastard could be boring?  Disturbing, horrifying and terrifying, one would have thought – but boring?  That I never expected.

In Victoria, American Psycho by Bret Easton Ellis is primly shrink-wrapped in bookstores, and bears a ‘Restricted’ rating: in Queensland, theoretically, you can’t buy it at all.  Now, I don’t know about you, but I’m hard-wired to desire ‘Restricted’ experiences, so when my eye chanced upon a copy of American Psycho about a year ago, complete with condom covering and admonishing sticker, I just couldn’t resist.  Rarely have I regretted my lack of self-control more.

Patrick Bateman, our narrator and the psycho in question, is a twenty-six year old Wall Street executive who whiles away his spare hours eating in swish restaurants, arguing over the finer points of male fashion and torturing and killing vulnerable people.  He’s obsessed with the intensity of his orgasms, and seems only to achieve satisfactory climaxes when violence and cruelty are involved.  And he’s a dull twat. Continue reading